Edmund studied at the Royal Academy of Music and National Opera Studio supported by the Glyndebourne New Generation Programme, and Peter and Helen Blumer.

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2025 sees Edmund return to the Royal Opera and English Touring Opera, his company debut with Longborough Festival Opera, and his first Don Giovanni with Waterperry.

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Operatic roles have included Satan in Martinů's Larmes De Couteau, The Swineherd in Harbison’s Full Moon in March and The Wolf in the Olivier-award-winning Wolf Witch Giant Fairy for the Royal Ballet & Opera, Dandini in Rossini’s La Cenerentola and Mizgir in Rimsky-Korsakov’s The Snowmaiden for English Touring Opera, Colline in Puccini’s La Bohème for Northern Ireland Opera, Demetrius in Britten’s A Midsummer Night’s Dream at Nevill Holt, Eddy in Turnage’s Greek at the Arcola Theatre, and the Lakai in Strauss’ Ariadne auf Naxos for Glyndebourne.

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He is particularly involved in new music and created roles in the world premieres of Oliver Leith’s Last Days at the Royal Ballet & Opera and LA Philharmonic, and Bolton’s Litvinenko at Grange Park Opera.

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On the concert platform, engagements have included Mendelssohn’s Elijah, Verdi’s Requiem, Bach’s St John and Matthew Passions, Handel’s Messiah, Brahms’ Requiem and Vaughan Williams’ Five Mystical Songs at venues such as Cadogan Hall, Trinity College Cambridge, and the Southbank Centre.

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